IT‑IS‑Networking
Equipment › Audio-Visual & Broadcast

Blackmagic Design

Production switching behind the chamber rebuild and the courtroom pooled feed — SDI and 1080-line video where the output is a public record.

Product lines and other names: Blackmagic, ATEM

Left to right is time. Each row is one of the 4 disciplines Blackmagic Design carried, ordered so kindred disciplines sit next to each other rather than alphabetically — a landscape only means anything if neighboring rows belong together. Height is the work running in that domain in that year, weighted by what failure would have cost — life-safety ×3, a statutory obligation ×2.2, the estate itself ×1.5, an evaluation ×1. Every project declares which of those it was, so each ridge traces to an entry you can open and disagree with. Only the work that named this manufacturer is counted, so this is the shape of what it carried rather than of the record around it. Height and color are on the record-wide scale rather than this page’s own, so a modest estate draws a modest landscape and any two of these pages can be read against each other.

Production switching rather than control. Where Crestron decides what a room does, this is the layer that decides what leaves it: sources into a switcher, serial digital interface and 1080-line video out to an encoder, a channel or a pooled media truck.

Named in the Council chamber rebuild and in the courtroom broadcast for the high-profile trials, which are the two places in this record where the picture coming out of the room is itself the thing under obligation — a legislative proceeding that is a public record, and a trial feed set against an administrative order.

Where it appears

Declared on each entry rather than listed here, so this page cannot drift from the work it describes. What each entry named is quoted as it stands, with how much of that project rested on it and what stands behind the claim beside it. The first of those drives the height of the surface above.

City of Jacksonville